Reflecting on the differences between her Sāmoan and Western gaze, Angela Tiatia employs reverse-ethnography to seek out thematic representation in her new work.

Located in the remote north-west of South Australia on the Anangu Pitjantjatjara Yankunytjatjara (APY) Lands, Iwantja Arts is home to a creative community of contemporary artists.

Challenging the discourse of art and art history written by white men, Richard Bell 's works are acts of protest in which the rules are rewritten using the same language of oppression.

In his exhibition at Sullivan+Strumpf in Sydney, Conversations with Margaret Preston (18 March–10 April 2021), Tony Albert hacks into 20th-century Australian artist Margaret Preston's iconography with a reverse ethnography, using his personal collection of Aboriginalia.

The Know My Name initiative at the National Gallery of Australia (NGA) wants to reframe the story of Australian art by adding to this history the voices of brilliant and creative women, too long unrecognised, and who continue to be under-represented across public and private collections.

Karla Dickens is an artist with Wiradjuri heritage, who combines fine art drawing and painting with rustic, abandoned materials imbued with history and contextual meaning, layered into mixed-media installations and sculptural collages on boards.

Geometric patterns, anthropomorphic characters, architectural spatial environments, and relics of the ancient world appear throughout Jess Johnson's artworks. Read more over at Ocula.

Currently exhibiting photographs from 'Experimental Relationship' (2007–ongoing) and 'For Your Eyes Only' (2012–ongoing) at Les Rencontres d'Arles (1 July–22 September 2019), Pixy Liao discusses the influence of Memphis on her practice, and upending conservative notions of gender in her photography.

Profile on Chinese-Singaporean artist Cheong Soo Pieng

Profile on Melbourne artist, Emma Coulter